Ludwig Mies Van Der Rohe - 3265 Words

ARCHITECTURAL BOUNDARIES: LUDWIG MIES VAN DER ROHE AND PHILIP JOHNSON Architecture has undergone a rapid and revolutionary transformation in the modern era. Through the work of Ludwig Mies van der Rohe, this essay attempts to chart the transition in architecture from nineteenth century Romanticism and Neoclassicism to High Modernism. Mies van der Rohe redefined architectural boundaries and emphasised the beauty of simple forms, the importance of functionality and the versatility of new materials such as glass, steel and marble. An analysis of the work of Philip Johnson reveals the development from High Modernism to Postmodernism, where playful and ironic decoration and humanist theories were reintroduced into what had†¦show more content†¦Johnson’s works reinvented architecture once again, thus propelling ‘cold’ Modernism into the more aesthetically complex forms of Postmodernism. HW Janson AF Janson, History of art, Thames and Hudson, London, 2001, pp. 696†700. ibid. 3 ibid., p. 701. 4 ibid. 1 2 Architectural Boundaries | Lorna Clarke 37 Mies van der Rohe and Modernism Mies van der Rohe’s buildings were structurally simple, functional and versatile.5 His mantra was ‘less is more’.6 Whilst Bauhaus Director in Germany from 1930 to 1933, Mies van der Rohe developed his architectural theory based on five main issues: (1) the possibilities and limitations of structure, (2) the problem of space, (3) proportion as expression, (4) the expressive value of materials and (5) the relationship of painting and sculpture to architecture.7 Mies van der Rohe also believed that architecture had little to do with the ‘invention of interesting forms†¦ with personal inclinations’ or with imitating Roman and Renaissance styles.8 Mies van der Rohe’s theories consistently produced majestic skyscrapers and revolutionised the avant†garde architect’s design processes and attitude toward materials .9 For example, he emphasised the use of small scale models for planning andShow MoreRelatedLudwig Mies Van Der Rohe984 Words   |  4 PagesThe famous German architect, Ludwig Mies van der Rohe, constructed the Barcelona Pavilion in 1929. The pavilion was developed because of the World’s Fair held in Barcelona in 1929 to 1930. The building is recognized for it simple form yet extravagant use of materials. The pavilions elegant and sleek designs would lead to a beginning of a modern movement in architectural designs. Ludwig was born in Germany in 1886. His father was a stonemason and Ludwig began working with him at a young age. He thenRead MoreLudwig Mies Van Der Rohe3277 Words   |  14 Pages   ARCHITECTURAL  BOUNDARIES:   LUDWIG  MIES  VAN  DER  ROHE  AND  PHILIP  JOHNSON         Architecture  has  undergone  a  rapid  and  revolutionary  transformation  in  the   modern  era.  Ã‚  Through  the  work  of  Ludwig  Mies  van  der  Rohe,  this  essay   attempts  to  chart  the  transition  in  architecture  from  nineteenth  century   Romanticism  and  Neoclassicism  to  High  Modernism.  Mies  van  der  Rohe   redefined  architectural  boundaries  and  emphasised  the  beauty  of  simple  forms,   the  importance  of  functionality  and  the  versatility  of  new  materials  such  as  Read MoreInfluences on Designers Mies Van Der Rohe and Breuer, Europe, 1920s1670 Words   |  7 Pagesdesigns by Ludwig Mies van der Rohe and Marcel Breuer. In design, external influences have always played a vital role in any given trend. In the 1920’s, an era commonly referred to as the Machine Age , modernist design followed a very focused approach: a desire to create a better world. In this essay, I will make a brief overview of the socio-economic situation of this time period, with a short introduction to the life of the two practitioners whose work I will analyse: Marcel Breuer and Ludwig MiesRead MoreCharles-Edouard Jeanneret: Le Corbusier865 Words   |  3 Pagesarchitect who pioneered the use of reinforced concrete. He then studied architecture for a year in Vienna before working for Peter Behrnes between 1910-1911, the renowned German advocate for ‘industrial design’. It is believed it was here he met Ludwig Miles van der Rohe and Walter Gropius, the founder and developers of the Bauhaus School of Design. Behrens admired Corbusier’s ethic of mass production and function over style. During World War I, (1914 – 1918) Le Corbusier returned home to teach in his oldRead MoreComparing Mies Van Der Rohe Vs. Robert Venturi1316 Words   |  6 PagesMies Van Der Rohe vs. Robert Venturi This essay’s main objective is to portray not only differences and similarities of two great architects but also to highlight their quotes and life work. They both have their own techniques and their own way to make people admire and want to be like them. The better way to characterize them is by modernist architect, Mies, and by postmodernist, Venturi. These two architects are the main focus of these project because the way they create has become a legend andRead MorePhenomenology And The Post Modern Movement949 Words   |  4 Pagesof what exactly modern was. The overall style of modern architecture was marked by an extreme alignment with simplicity. Modernists loved and exhausted the absolute pureness of forms. The phrase that defines the time Less is more from Ludwig Mies van der Rohe. Less ornamentation, less unnecessary figures for the sake of how it has always been done. The thought of the natural attitude defined earlier complements this era. One minute is 60 seconds no matter what, any modernist would agree. The formRead MoreAn Essay on Modernism2160 Words   |  9 Pagesacross Europe. In Holland, Theo Van Doesburg and a small group of artists, founded a movement and magazine named De Stijl in 1917. The iconic elements in the works of supporters of this artistic movement were simple compositions of vertical and horizontal lines with black, grey, white and primary colors. In Germany, modernism started in Bauhaus (1919-1933), a school of art and design. It was founded by Walter Gopius and directed by the architect, Mies van der Rohe in its last year. The main purposeRead MoreDifferences Between Modernism And Postmodernism1576 Words   |  7 PagesMovement was used to describe the rigorous Modernist designs of the 1930s to the early 1960s. A few Influential and powerful Architects which I myself have found inspiration throughout my art to date, significant architects important to the history and growth of the modernist movement consist of: †¢ Ludwig Mies van der Rohe †¢ Le Corbusier †¢ Walter Gropius †¢ Erich Mendelsohn †¢ Frank Lloyd Wright †¢ Louis Sullivan †¢ Gerrit Rietveld †¢ Bruno Taut †¢ Arne Jacobsen †¢ Oscar Niemeyer †¢ Alvar Aalto ïÆ'Ëœ Book: A GlobalRead More International Style Essay1265 Words   |  6 Pagesaustere and disciplined new architecture.† The International Style grew from a small group of brilliant and original architects who went on to achieve greatness in their field. The major figures include Walter Gropius, and Ludwig Mies van der Rohe of Germany. Gropius and Mies were best known for their structures containing glass curtain walls spanning steel girders that would form the skeleton of the building. Walter Gropius (1883-1969) was in 1919 appointed to director of the Grand Ducal SaxonRead MoreHow Architecture Has Changed The Creation Of The Country As It Looks Today2088 Words   |  9 Pagesanalysing two type of houses that is in a two different time period which are a vernacular and a contemporary house and also both is in a different type of geographical region. The first house is the Farnsworth House which was designed by Ludwig Mies van der Rohe in 1945 and was constructed in 1951 for Dr Edith Farnsworth, who wanted it to be a weekend retreat where she could engage in her hobbies such as playing the violin and to simply relax and enjoy the nature. It is located in Illinois, USA,